Programme
Day 1 |
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05:00-22:00, 21 July | ||
05:00-06:00 |
Critical Perspectives on AI/ML in Musical Interfaces |
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Charles Martin, Fabio Morreale, Benedikte Wallace, Hugo Scurto Maximum number of participants: No limit |
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09:00-10:00 |
NIME Publications Ecosystem Workshop |
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Alexander Refsum Jensenius, Andrew McPherson, Anna Xambó Sedó, Charles Martin, Jack Armitage, Niccolò Granieri, Rebecca Fiebrink, Luiz Naveda Maximum number of participants: No limit |
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10:00-11:30 |
Building a live streaming platform as an instrument, experience and pastime |
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Louis Foster Maximum number of participants: 30 |
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10:00-13:00 |
Human-Sound Interaction Workshop |
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Balandino Di Donato Maximum number of participants: no limit |
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10:00-13:00 |
Using Machine Learning to Build Musical Instruments in the Browser with MIMIC |
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Louis McCallum Max number of participants: 15 |
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13:00-14:00 |
Critical Perspectives on AI/ML in Musical Interfaces |
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Charles Martin, Fabio Morreale, Benedikte Wallace, Hugo Scurto Maximum number of participants: No limit |
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14:00-19:30 |
Feedback Musicianship |
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Dan Overholt, Chris Kiefer, Alice Eldridge Maximum number of participants: No limit |
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14:00-16:00 |
Keynote Workshop: SuperCollider @NIME2020 |
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Scott Wilson & Konstantinos Vasilakos Maximum number of participants: 10 |
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14:00-16:00 |
10,000 Musical Instruments for a Semi-connected World |
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Kristina Andersen, Pete Bennett, John Bowers, Giacomo Lepri, Andrew McPherson, Tom Mudd, Antonella Nonnis, Paul Stapleton, Sam Topley Maximum number of participants: 30 |
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16:00-18:00 |
Keynote Workshop: SOUL |
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Julian Storer & Cesare Ferrari Maximum number of participants: No limit |
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17:00-18:00 |
NIME Publications Ecosystem Workshop |
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Alexander Refsum Jensenius, Andrew McPherson, Anna Xambó Sedó, Charles Martin, Jack Armitage, Niccolò Granieri, Rebecca Fiebrink, Luiz Naveda Maximum number of participants: No limit |
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18:00-22:00 |
Creating Networked Circuit-Bent NIMEs with Bendit_I/O |
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Anthony T. Marasco, Nick Hwang and Matthew A. Bardin Max number of participants: 20 |
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18:00-21:00 |
One Switch to Rule Them All – Hacking Access Switches and Exploring Issues in Inclusive Music Making |
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Jacob Harrison, Alex Lucas, Emma Frid and Joe Wright Maximum number of participants: 25 |
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19:00-21:00 |
Crowd-driven Music: Interactive and Generative Approaches using Machine Vision and Manhattan |
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Chris Nash & Corey Ford Maximum number of participants: 25 |
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19:00-21:00 |
Workshop on Spontaneous Jamming and Real-time Data-sharing using the Bf-Pd Collaboration Library |
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Luke Dahl and Florent Berthaut Maximum number of participants: 12 |
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20:00-21:00 |
Crafting Sound Workshop: Accessible Interfaces for Education and Creation |
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Abby Aresty & Rachel Gibson Max number of participants: 25 |
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21:00-22:00 |
Critical Perspectives on AI/ML in Musical Interfaces |
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Charles Martin, Fabio Morreale, Benedikte Wallace, Hugo Scurto Maximum number of participants: No limit |
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Day 2 |
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10:00-21:40, 22 July | ||
10:00-10:15 |
Welcome Address |
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| Welcome address from general chairs Sally-Jane Norman and Lamberto Coccioli. | ||
10:15-11:30 |
Paper Session 1: HCI and Mapping |
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| Andrea Martelloni, Andrew McPherson, Mathieu Barthet | Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study | |
| Çağrı Erdem, Alexander Refsum Jensenius | RAW: Exploring Control Structures for Muscle-based Interaction in Collective Improvisation | |
| Andrew McPherson, Giacomo Lepri | Beholden to our tools: negotiating with technology while sketching digital instruments | |
| Thibault Jaccard, Robert Lieck, Martin Rohrmeier, | AutoScale: Automatic and Dynamic Scale Selection for Live Jazz Improvisation | |
| Andrea Giomi, James Leonard | Towards an Interactive Model-Based Sonification of Hand Gesture for Dance Performance | |
| Chair: | Victor Zappi | |
11:30-12:30 |
Coffee & Posters & Demos |
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| Giorgos Filandrianos, Natalia Kotsani, Edmund G Dervakos, Giorgos Stamou, Vaios Amprazis, Panagiotis Kiourtzoglou | demo: Brainwaves-driven Effects Automation in Musical Performance | |
| Erik Nyström | demo: Intra-Actions: Experiments with Velocity and Position in Continuous Controllers | |
| Antonella Nonnis, Nick Bryan-Kinns | demo: Όλοι: music making to scaffold social playful activities and self-regulation | |
| Eleonora Oreggia, Clive Parini | demo: Rebus is not just a Theremin | |
| Matthew Hughes, Andrew Johnston | demo: URack: Audio-visual Composition and Performance using Unity and VCV Rack | |
| Ruolun Weng | poster: Interactive Mobile Musical Application using faust2smartphone | |
| Sasha Leitman | poster: Sound Based Sensors for NIMEs | |
| Michael J Krzyzaniak | poster: Words to Music Synthesis | |
| Olivier Capra, Florent Berthaut, Laurent Grisoni | poster: A Taxonomy of Spectator Experience Augmentation Techniques | |
12:30-13:45 |
Paper Session 2: Bespoke / Adaptable ADMIs |
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| Marinos Koutsomichalis | Rough-hewn Hertzian Multimedia Instruments | |
| Nicola Davanzo, Federico Avanzini | A Dimension Space for the Evaluation of Accessible Digital Musical Instruments | |
| Diemo Schwarz, Abby Wanyu Liu, Frederic Bevilacqua | A Survey on the Use of 2D Touch Interfaces for Musical Expression | |
| Alex Lucas, Miguel Ortiz; Franziska Schroeder | The Longevity of Bespoke, Accessible Music Technology: A Case for Community | |
| William C Payne, Ann Paradiso, Shaun Kane | Cyclops: Designing an eye-controlled instrument for accessibility and flexible use | |
| Chair: | Joe Wright | |
13:45-14:45 |
Lunch & Bela Drop-In: Introduction to Bela. and OHMI drop-in |
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| Bela drop-in: Introduction to Bela. | ||
| OHMI drop-in: Jacob Harrison, Stephen Hetherington and Rachel Wolffsohn | ||
14:45-16:00 |
Paper Session 3: Sensors, Actuators and Haptics |
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| Pelle Juul Christensen, Dan Overholt, Stefania Serafin | The Da ̈ıs: A Haptically Enabled New Interface for Musical Expression for Controlling Physical Models for Sound Synthesis | |
| Anders Eskildsen, Mads Walther-Hansen | Force dynamics as a design framework for mid-air musical interfaces | |
| Laddy P Cadavid | Knotting the memory//Encoding the Khipu_: Reuse of an ancient Andean device as a NIME | |
| Courtney Reed, Andrew McPherson | Surface Electromyography for Direct Vocal Control | |
| Chantelle L Ko, Lora Oehlberg | Touch Responsive Augmented Violin Interface System II: Integrating Sensors into a 3D Printed Fingerboard | |
| Chair: | Echo Ho | |
16:00-17:00 |
Coffee & Posters & Demos |
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| Alex MacLean | demo: Immersive Dreams: A Shared VR Experience | |
| Yuma Ikawa, Akihiro Matsuura | demo: Playful Audio-Visual Interaction with Spheroids | |
| Quinn D Jarvis Holland, Crystal Quartez, Francisco Botello, Nathan Gammill | poster: EXPANDING ACCESS TO MUSIC TECHNOLOGY- Rapid Prototyping Accessible Instrument Solutions For Musicians With Intellectual Disabilities | |
| Satvik Venkatesh, Edward Braund, Eduardo Miranda | poster: Designing Brain-computer Interfaces for Sonic Expression | |
| Taylor J Olsen | poster: Animation, Sonification, and Fluid-Time: A Visual-Audioizer Prototype | |
| Matthew Caren, Romain Michon; Matthew Wright | poster: The KeyWI: An Expressive and Accessible Electronic Wind Instrument | |
| Advait Sarkar, Henry Mattinson | poster: Excello: exploring spreadsheets for music composition | |
| Virginia de las Pozas | poster: Semi-Automated Mappings for Object-Manipulating Gestural Control of Electronic Music | |
| Anıl Çamcı, Aaron Willette, Nachiketa Gargi, Eugene Kim, Julia Xu, Tanya Lai | poster: Cross-platform and Cross-reality Design of Immersive Sonic Environments | |
| Nicolas E Gold, Chongyang Wang, Temitayo Olugbade, Nadia Berthouze, Amanda Williams | poster: P(l)aying Attention: Multi-modal, multi-temporal music control | |
17:00-18:15 |
Paper Session 4: Novel MIs |
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| Scott Barton | Circularity in Rhythmic Representation and Composition | |
| Gilberto Bernardes | Interfacing Sounds: Hierarchical Audio-Content Morphologies for Creative Re-purposing in earGram 2.0 | |
| Koray Tahiroğlu, Miranda Kastemaa, Oskar Koli | Al-terity: Non-Rigid Musical Instrument with Artificial Intelligence Applied to Real-Time Audio Synthesis | |
| Satvik Venkatesh, Edward Braund, Eduardo Miranda | Composing Popular Music with Physarum polycephalum-based Memristors | |
| Laurel S Pardue, Kuljit Bhamra, Graham England, Phil Eddershaw, Duncan Menzies | Demystifying tabla through the development of an electronic drum | |
| Chair: | James Dooley | |
18:15-19:00 |
Break |
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19:00-19:45 |
Keynote: Drake Music Labs |
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Drake Music is a charity that works at the intersection of Music, Disability and Technology, finding new and innovative ways to open up access to music for all. This keynote will be the public launch of an exciting new project coming out of their R&D program: AMIC, the world’s first Accessible Musical Instrument Collection. There are some intriguing and urgent problems to solve in making instruments truly accessible. The DM team will share the way they work to develop instruments and pose some fundamental questions about high quality accessible instrument and interface design to this forum of great minds. By building accessibility in to our existing projects and coming up with even more exciting, adaptable and innovative instruments and interfaces we can all be part of the fight for equality in music. |
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19:45-20:00 |
Break |
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20:00-20:45 |
Keynote Gig: Drake Music Labs |
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20:45-21:00 |
Break |
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21:00-21:40 |
Music 1: Reimagining Historical and Everyday Objects |
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| 120 Den: Britta Fehrmann, Tina Tonagel, Conny Crumbach, Gesine Grundmann | 4 Women, 12 Legs. 120 DEN! | |
| Laddy P Cadavid | Knotting the memory//Encoding the khipu_ | |
| Judith Shatin, Maxwell Tfirn | Zipper Music | |
| Chi Wang | Qin | |
| Aurie Hsu | String Song (2019) for amplified prepared kinetic sculpture and live electronics | |
Day 3 |
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10:15-21:00, 23 July | ||
10:15-11:30 |
Paper Session 5: NIME / Practice / Taxonomies |
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| Paul Dunham | Click::RAND. A Minimalist Sound Sculpture. | |
| Fabio Morreale, S. M. Astrid Bin, Andrew McPherson, Paul Stapleton, Marcelo Wanderley | A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community | |
| Manoli Moriaty | Symbiosis: a biological taxonomy for modes of interaction in dance-music collaborations | |
| Robert Jack, Jacob Harrison, Andrew McPherson, | Digital Musical Instruments as Research Products | |
| Juan P Martinez Avila, Vasiliki Tsaknaki, Pavel Karpashevich, Charles Windlin, Niklas Valenti, Kristina Höök, Andrew McPherson, Steve Benford | Soma Design for NIME | |
| Chair: | Diana Siwiak | |
11:30-12:30 |
Coffee & Posters & Demos |
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| Joung Min Han, Yasuaki Kakehi | demo: ParaSampling: A Musical Instrument with Handheld Tapehead Interfaces for Impromptu Recording and Playing on a Magnetic Tape | |
| Atsushi Fukuda, Tetsuaki Baba | demo: A Tangible Music Sequencer that Appliesthe Action of a Speaker Mechanismon a Real Object to a Sound Source | |
| George Meikle | demo: ScreenPlay: A Topic-Theory-Inspired Interactive System | |
| Andreas Förster, Christina Komesker, Norbert Schnell | poster: SnoeSky and SonicDive – Design and Evaluation of Two Accessible Digital Musical Instruments for a SEN School | |
| Duncan A.H. Williams | poster: MINDMIX: Mapping of brain activity to congruent audio mixing features | |
| Atsuya Kobayashi, Reo Anzai, Nao Tokui | poster: ExSampling: a system for the real-time ensemble performance of field-recorded environmental sounds | |
| Anna Xambó, Gerard Roma | poster: Performing Audiences: Composition Strategies for Network Music using Mobile Phones | |
| Henrik von Coler, Steffen Lepa, Stefan Weinzierl | poster: User-Defined Mappings for Spatial Sound Synthesis | |
| Rohan Proctor, Charles Patrick Martin | poster: A Laptop Ensemble Performance System using Recurrent Neural Networks | |
| Tiago Brizolara, Sylvie Gibet, Caroline Larboulette | poster: Elemental: a Gesturally Controlled System to Perform Meteorological Sounds | |
12:30-13:45 |
Paper Session 6: AI / Digital Platforms / Web-Based |
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| Haruya, Takase | Support System for Improvisational Ensemble Based on Long Short-Term Memory Using Smartphone Sensor | |
| Nick Bryan-Kinns, Li Zijin, Xiaohua Sun | On Digital Platforms and AI for Music in the UK and China | |
| Shelly Knotts, Nick Collins | A survey on the uptake of Music AI Software | |
| Konstantinos Vasilakos, Scott Wilson, Thomas McCauley, Tsun Winston Yeung, Emma Margetson, Milad Khosravi Mardakheh | Sonification of High Energy Physics Data Using Live Coding and Web Based Interfaces. | |
| Joao Wilbert, Don D Haddad, Hiroshi Ishii, Joseph Paradiso | Patch-corde: an expressive patch-cable for the modular synthesizer. | |
| Chair: | Jason Hockman | |
13:45-14:45 |
Lunch + OHMI drop-in |
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| OHMI drop-in: Jacob Harrison, Stephen Hetherington and Rachel Wolffsohn | ||
14:45-16:00 |
Paper Session 7: Design / Cultural Diversity in Design |
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| Nick Bryan-Kinns, Li Zijin, | ReImagining: Cross-cultural Co-Creation of a Chinese Traditional Musical Instrument with Digital Technologies | |
| Sara, Sithi-Amnuai | Exploring Identity Through Design: A Focus on the Cultural Body Via Nami | |
| Adam Pultz Melbye, Halldor A Ulfarsson | Sculpting the behaviour of the Feedback-Actuated Augmented Bass: Design strategies for subtle manipulations of string feedback using simple adaptive algorithms | |
| Travis J West, Marcelo Wanderley, Baptiste Caramiaux | Making Mappings: Examining the Design Process | |
| Giulio Moro, Andrew McPherson | A platform for low-latency continuous keyboard sensing and sound generation | |
| Chair: | Lamberto Coccioli | |
16:00-17:00 |
Coffee & Posters & Demos |
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| Laurel S Pardue, Miguel Ortiz, Maarten van Walstijn, Paul Stapleton, Matthew Rodger | demo: Vodhrán: collaborative design for evolving a physical model and interface into a proto-instrument | |
| Patricia Alessandrini, Freida Abtan, Sophia Alexandersson, Peter Larsson | demo: Mondgewächse: a Collaborative Methodology for Audiovisual Mappings in Inclusive Instrument Design | |
| Hugh Aynsley | demo: Stretchi | |
| Chase Mitchusson | poster: Indeterminate Sample Sequencing in Virtual Reality | |
| Samuel J Hunt, Tom Mitchell, Chris Nash | poster: Composing computer generated music, an observational study using IGME: the Interactive Generative Music Environment | |
| Jens Vetter | poster: WELLE – a web-based music environment for the blind | |
| Robert Pritchard, Ian Lavery | poster: Inexpensive Colour Tracking to Overcome Performer ID Loss | |
| Travis C MacDonald, James Hughes, Barry MacKenzie | poster: SmartDrone: An Aurally Interactive Harmonic Drone | |
| Augoustinos Tsiros, Alessandro Palladini | poster: Towards a Human-Centric Design Framework for AI Assisted Music Production | |
17:00-18:30 |
Paper Session 8: Bespoke / Adaptable ADMIs |
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| Joe Wright | The Appropriation and Utility of Constrained ADMIs | |
| Amble H C Skuse, Shelly Knotts | Creating an Online Ensemble for Home Based Disabled Musicians: Disabled Access and Universal Design – why disabled people must be at the heart of developing technology. | |
| Doga Cavdir, Ge Wang | Felt Sound: A Shared Musical Experience for the Deaf and Hard of Hearing | |
| Romulo A Vieira, Flávio Luiz Schiavoni | Fliperama: An affordable Arduino based MIDI Controller | |
| Sourya Sen, Koray Tahiroğlu, Julia Lohmann | Sounding Brush: A Tablet based Musical Instrument for Drawing and Mark Making | |
| Chris Kiefer, Dan Overholt, Alice Eldridge | Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics | |
| Chair: | ||
18:30-19:15 |
Break & Bela drop-in: Trill touch sensing for makers. |
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| Bela drop-in: Trill touch sensing for makers. | ||
19:15-20:00 |
Keynote Gig: Lilja Maria Asmundsdottir |
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Hulda is an audio-visual instrument created by Lilja María Ásmundsdóttir. During performances Hulda’s surroundings are filled with sounds, patterns, shadows and colours that constantly change. Inside the sculpture are built in lights connected to a computer that analyses the sounds and transforms them into light. The sculpture is a string instrument and it can be adapted to different tunings. The visual representation of the lights can also be adapted to different projects, new colour palettes, different patterns and visuals can be designed to fit different concepts. The name Hulda means something that’s hidden or ‘the hidden one’ and reflects the design of the instrument. At first sight, the interdisciplinary nature of the sculpture is hidden but as you get to know the sculpture through performances it reveals its versatile sonic and visual potentials. Performances take place in the dark and the performer becomes hidden in the dreamlike world of the visuals that the sculpture projects into the space. The video presented here shows different perspectives from an installation for the audio-visual sculpture Hulda. The performer stays hidden in the dark while the lights and sounds of Hulda create a dreamlike world. The sounds of Hulda merge together with electronics made from gamelan instruments, the insides of a grand piano, environmental sounds and voices. |
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20:00-20:15 |
Break |
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20:15-21:00 |
Music 2: Instrumental Practices, Subverted Traditions |
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| Alex Lucas, Tim Leatham, Eoin Fitzpatrick, Mary-Louise McCord & Daniel Morgan | Split Point: The Piano Reimagined as an Inclusive Hyper-Instrument | |
| Yixuan Zhao, Jialin Fan, Anna Cashell, Mengmeng Wu | Charon | |
| Nicole Robson, Halldor A Ulfarsson | Dual/Duel/Duet/for/with/halldorophone | |
| Solomiya Moroz | artefacts of presence | |
| Adam Pultz Melbye, Halldor A Ulfarsson | The Augmented Double Bass | |
| Laurel S Pardue, Kuljit Bhamra, Jack Armitage | Petrified Wood, Untitled 58 | |
Day 4 |
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10:15-21:30, 24 July | ||
10:15-11:30 |
Paper Session 9: AR / VR / Practice |
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| Charles Patrick Martin, Zeruo Liu, Yichen Wang, Wennan He, Henry Gardner | Sonic Sculpture: Activating Engagement with Head-Mounted Augmented Reality | |
| Raul G.M. Masu, Paulo Bala, Muhammad Ahmad, Nuno N. Correia, Valentina Nisi, Nuno Nunes, Teresa Romão | VR Open Scores: Scores as Inspiration for VR Scenarios | |
| Giovanni, Santini | Augmented Piano in Augmented Reality | |
| Tim Shaw, John Bowers | Ambulation: Exploring Listening Technologies for an Extended Sound Walking Practice | |
| Enrique Tomás | A Playful Approach to Teaching NIME: Pedagogical Methods from a Practice-Based Perspective | |
| Chair: | Sally Jane Norman | |
11:30-12:30 |
Coffee & Posters & Demos |
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| Marcel Ehrhardt, Max Neupert, Clemens Wegener | demo: Piezoelectric strings as a musical interface | |
| Taisei Kato, Tetsuaki Baba | demo: A MIDI Sound Module That Uses the Sound of a Collision Generated by the Drop of Water as a Sound Source : Potarhythm | |
| Harri L Renney, Tom Mitchell, Benedict Gaster | demo: Interactive, GPU-accelerated 2D Physical Model | |
| Jiří Suchánek | demo: SOIL CHOIR v.1.3 – soil moisture sonification installation | |
| Jean Chu, Jaewon Choi | demo: Reinterpretation of Pottery as a Musical Interface | |
| Graham Wakefield, Michael Palumbo, Alexander Zonta | poster: Affordances and Constraints of Modular Synthesis in Virtual Reality | |
| Mark Durham (Mr)* | poster: Inhabiting the Instrument | |
| Amit D Patel, John Richards | poster: Pop-up for Collaborative Music-making | |
| Gus Xia, Daniel Chin, Yian Zhang, Tianyu Zhang, Junbo Zhao | poster: Interactive Rainbow Score: A Visual-centered Multimodal Flute Tutoring System | |
| Thor Magnusson | poster: Instrumental Investigations at Emute Lab | |
12:30-13:45 |
Paper Session 10: Collaborations / Digital Audio |
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| Kiyu Nishida, Kazuhiro Jo | Modules for analog synthesizers using Aloe vera biomemristor | |
| Corey J Ford, Chris Nash | An Iterative Design ‘by proxy’ Method for Developing Educational Music Interfaces | |
| Florent Berthaut, Luke Dahl | Adapting & Openness: Dynamics of Collaboration Interfaces for Heterogeneous Digital Orchestras | |
| Harri L Renney, Tom Mitchell, Benedict Gaster | There and Back Again: The Practicality of GPU Accelerated Digital Audio | |
| Filipe Calegario, Marcelo Wanderley, João Tragtenberg, Eduardo Meneses, Johnty Wang, John Sullivan, Ivan Franco, Mathias S Kirkegaard, Mathias Bredholt, Josh Rohs | Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes | |
| Chair: | Simon Hall | |
13:45-14:45 |
Lunch & Bela drop-in: Teaching with Bela. |
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| Bela drop-in: Teaching with Bela. | ||
14:45-16:00 |
Paper Session 11: Novel MIs / Practice-Based Methods |
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| Chris Nash | Crowd-driven Music: Interactive and Generative Approaches using Machine Vision and Manhattan | |
| Andrea Guidi, Fabio Morreale, Andrew McPherson | Design for auditory imagery: altering instruments to explore performer fluency | |
| Jack Atherton, Ge Wang | Curating Perspectives: Incorporating Virtual Reality into Laptop Orchestra Performance | |
| Sihwa Park | Collaborative Mobile Instruments in a Shared AR Space: a Case of ARLooper | |
| John Sullivan, Julian Vanasse, Catherine Guastavino, Marcelo Wanderley | Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians | |
| Chair: | Niccolò Granieri | |
16:00-17:00 |
Coffee & Posters & Demos |
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| Rachel Gibson | demo: IRIS: A Non-Tactile Musical Instrument for Solo and Collaborative Playing | |
| Louis McCallum, Mick S Grierson | demo: Supporting Interactive Machine Learning Approaches to Building Musical Instruments in the Browser | |
| Marius Schebella, Gertrud Fischbacher, Matthew Mosher | demo: Silver: A Textile Wireframe Interface for the Interactive Sound Installation Idiosynkrasia | |
| Anıl Çamcı, Matias Vilaplana, Ruth Wang | poster: Exploring the Affordances of VR for Musical Interaction Design with VIMEs | |
| Fede Camara Halac, Shadrick Addy | poster: PathoSonic: Performing Sound In Virtual Reality Feature Space | |
| Irmandy Wicaksono, Joseph Paradiso | poster: KnittedKeyboard: Digital Knitting of Electronic Textile Musical Controllers | |
| Marcel O DeSmith, Andrew Piepenbrink, Ajay Kapur | poster: SQUISHBOI: A Multidimensional Controller for Complex Musical Interactions using Machine Learning | |
| Steven Kemper | poster: Tremolo-Harp: A Vibration-Motor Actuated Robotic String Instrument | |
| Johnty Wang, Eduardo Meneses, Marcelo Wanderley | poster: The Scalability of WiFi for Mobile Embedded Sensor Interfaces | |
| Duncan A.H. Williams, Bruno Fazenda, Victoria J. Williamson, Gyorgy Fazekas | poster: Biophysiologically synchronous computer generated music improves performance and reduces perceived effort in trail runners | |
17:00-18:15 |
Paper Session 12: Evaluation of NIMEs |
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| Matthew Rodger, Paul Stapleton, Maarten van Walstijn, Miguel Ortiz, Laurel S Pardue | What Makes a Good Musical Instrument? A Matter of Processes, Ecologies and Specificities | |
| Lia Mice; Andrew McPherson | From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs | |
| Margarida Pessoa, Cláudio Parauta, Pedro Luís, Isabela Corintha, Gilberto Bernardes | Examining Temporal Trends and Design Goals of Digital Music Instruments for Education in NIME: A Proposed Taxonomy | |
| Lauren Hayes, Adnan Marquez-Borbon | Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises | |
| Tom Davis, Laura Reid | Taking Back Control: Taming the Feral Cello | |
| Chair: | Marije Baalman | |
18:15-19:00 |
Break |
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19:00-19:40 |
Music 3: Interfaces and Environments |
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| Oren Ronen, Victor Zappi | Black Space | |
| Alon A Ilsar, Matthew Hughes | The AirSticks – an audio-visual gestural instrument | |
| Isak Han | Playing The nUFO | |
| Jesse Allison, Anthony T Marasco | Gravity | Density | |
| Barbara Nerness | embody | |
19:40-20:00 |
Break |
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20:00-20:50 |
Music 4: Translation, Rules and Games |
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| Nicola Leonard Hein, Lukas Truniger | Membranes | |
| Weiming Song | “Yunzhong Jun”-For human voice, Max and real-time interactive electroacoustics | |
| Christof Ressi, Szilard Benes | terrain study | |
| Courtney D Brown | Machine Tango | |
| Se-Lien Chuang, Andreas Weixler | Sonic Cultures | |
| Scott Wilson, Konstantinos Vasilakos, Tsun Winston Yeung, Emma Margetson, Erik Nyström | Dark Matter (live coding) | |
Day 5 |
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10:15-23:45, 25 July | ||
10:15-11:30 |
Paper Session 13: HCI / Gesture / Machines |
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| Alon A Ilsar, Matthew Hughes, Andrew Johnston | NIME or Mime: A Sound-First Approach to Developing an Audio-Visual Gestural Instrument | |
| Juan Pablo Yepez Placencia, Jim Murphy, Dale Carnegie | Designing an Expressive Pitch Shifting Mechanism for Mechatronic Chordophones | |
| Gwendal Le Vaillant, Thierry Dutoit, Rudi Giot | Analytic vs. holistic approaches for the live search of sound presets using graphical interpolation | |
| Rebecca Fiebrink, Laetitia Sonami | Reflections on Eight Years of Instrument Creation with Machine Learning | |
| Olivier Capra, Florent Berthaut, Laurent Grisoni | All You Need Is LOD : Levels of Detail in Visual Augmentations for the Audience | |
| Chair: | Sasha Leitman | |
11:30-12:30 |
Coffee |
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12:30-13:30 |
Music 5: Experimental Systems and Interactions |
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| Krzysztof Cybulski | MODULAR PROCESS MUSIC | |
| Alex Mclean | Feedforward | |
| Owen Green | Race to the Bottom | |
| John M Bowers, Kerry Hagan | Touch, Strike, Slide, Twist, Shudder | |
| Mari Mako | Schmitt | |
| Erik Nyström | Intra-action | |
13:30-14:45 |
Lunch |
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14:45-16:00 |
Paper Session 14: HCI / New Interfaces / Instruments |
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| Ivica I Bukvic, Disha Sardana, Woohun Joo | New Interfaces for Spatial Musical Expression | |
| Darrell J Gibson, Richard Polfreman | Star Interpolator – A Novel Visualization Paradigm for Graphical Interpolators | |
| Mathias S Kirkegaard, Mathias Bredholt, Christian Frisson, Marcelo Wanderley | TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments | |
| Giovanni M Troiano, Alberto Boem, Giacomo Lepri, Victor Zappi | Non-Rigid Musical Interfaces: Exploring Practices, Takes, and Future Perspective | |
| Chair: | Romain Michon | |
16:00-17:00 |
Coffee |
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17:00-18:15 |
Paper Session 15: Interactive Music Systems / Coding and Robotics |
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| Adnan Marquez-Borbon | Collaborative Learning with Interactive Music Systems | |
| Christodoulos Benetatos, Joseph VanderStel, Zhiyao Duan | BachDuet: A Deep Learning System for Human-Machine Counterpoint Improvisation | |
| Alex Mclean | Algorithmic Pattern | |
| Michael Sidler, Matthew C Bisson, Jordan Grotz, Scott Barton | Parthenope: A Robotic Musical Siren | |
| Ning Yang, Richard Savery, Raghavasimhan Sankaranarayanan, Lisa Zahray, Gil Weinberg | Mechatronics-Driven Musical Expressivity for Robotic Percussionists | |
| Chair: | Jim Murphy | |
18:15-19:00 |
Break & Bela drop-in: General Q+A. |
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| Bela drop-in: General Q+A. | ||
19:00-19:45 |
Keynote Gig: Crewdson & Cevanne |
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| For NIME 2020, Crewdson & Cevanne are creating a modern ‘work song’ made from sounds – drones in particular – ‘found’ in our domestic lives and performed on a new instrument, currently coined the Light Dome. The instrument functions as a gestural midi controller and is designed with accessibility in mind to be almost immediately intuitive and logical so that it can be played by someone with little to no understanding of music theory or music technology. For the new piece, written especially for NIME 2020, ritual gestures from our daily lives will become the means of playing the Light Dome. The meditative piece will be filmed and presented for NIME, accompanied by a live instrument demo and Q&A. | ||
19:45-20:15 |
Closing Address & Prizes |
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20:15-21:00 |
Keynote Gig: Dunning & Underwood |
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The Mammoth Beat Organ is a large scale modular, mechanical musical contraption; designed, constructed and played by Sam Underwood and Graham Dunning. In the run up to each performance the pair reconvene to develop new elements of the machine that are then premiered live on stage. Due to recent restrictions Sam and Graham have opted to complete this process remotely for NIME. Each has developed a new module in abstract before bringing them together with the other’s module and the wider machine, through a series of remote recordings. See what the outcomes are when a collaboration that normally thrives on face-to-face discussion, prototyping and revision is reduced to the sonic equivalent of an exquisite corpse. www.mammothbeatorgan.co.uk |
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21:00-00:00 |
Live Streaming Sets |
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